Read from the separations
The die is taken from the spot colours and layers the prepress house already uses, not redrawn.
Packaging in 3D · for brands and their estates
The cutter guide is read straight out of the press file — the same separations your prepress house already writes — and the artwork is folded into a box you can turn on screen. Artwork sitting on last season’s die is found here, not at the machine.
The problem
Artwork on last season’s die, a panel upside down, a barcode across a fold: packaging mistakes are expensive because they are found late — at the cutting table, or on the shelf.
How it works
01
The print-ready PDF you would send to press, cutter and all.
02
Cut, crease and perforation lines read from the separations and layers they are drawn on — CutContour, Thru-cut, Crease and the like.
03
The artwork wrapped onto the carton and turned on screen, panel by panel.
04
The cutter downloaded for the table, from the same lines the preview folded.
What it does
The die is taken from the spot colours and layers the prepress house already uses, not redrawn.
Specified, previewed and kept with their artwork.
Every panel seen the way it will stand on the shelf, before a sheet is printed.
Each kind of line kept on its own, so the cutter file carries exactly what the table needs.
The cutting file for the job, ready for the table.
Artwork that does not sit on the die it is meant for shows up on screen rather than at the machine.
Questions
The print-ready PDF you would send to press, with the cutter on its own spot colour or layer. Names such as CutContour, Thru-cut, Crease and Perforation are recognised.
No. It reads the die your designer made and shows your artwork on it, so mistakes are caught before anything is printed.
Yes. The cut file for the job can be downloaded for the cutting table.
Cartons, sleeves and labels — packaging cut from a die that is drawn in the press file, specified and previewed with its artwork.
Works with
Every module shares one estate and one sign-in, so adding the next is a decision, not a migration.
Versioned, preflighted artwork with comments on the proof and recorded sign-off.
A print-ready PDF in; the sheet, the Kongsberg cutter file and the plan out.
A press-ready version of the artwork for every row of a spreadsheet, fonts untouched.
Approved lines become print orders, priced across trade printers and tracked to the door.
Request access
Access is by invitation — tell us about your estate and we will set it up properly, with your stores, your products and your suppliers in place from day one. We reply within one working day.
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